Lines effect created by using a mask layer in conjunction with a turbulent displacement map. This has been sped up 500% from the original speed. Camera work to pan across composition

Assets drawn in Procreate then exported to After Effects for rigging and animation. Expressions used to keep tow line connected to two assets, as well as allowing the loop of the waves and boat movement

Assets created in Photoshop, exported to After Effects for puppet rigging and animation

Hand drawn assets loaded into After Effects for animation. Ball movement precomposed and added on top of the elephant movement pre-composition.

Counter increasing to 1,000,000 using After Effects expressions

Animation done in After Effects with help from Red Giant Trapcode Particular

Hand drawn assets in Procreate, assets loaded into After Effects for animation and lighting

Lighting done with Red Giant Trapcode Shine in After Effects

Assets separated from jpeg provided by client, then exported to After Effects for puppet rigging and animation

Title card being swirled/pulled into a black hole with a small burst of light, all composition done in After Effects

Lines effect created by using a mask layer in conjunction with a turbulent displacement map. This has been sped up 500% from the original speed.

Footage shot on greenscreen then chroma keyed out. Effects added and time manipulation in After Effects

Multiple cloud element stacked in such a way to express depth. Theme was very artistic and whimsical. Trapcode Particular used for the orbs, Trapcode shine used for atmosphere.

Animation made for Shrek the Musical, assets drawn in Procreate and Photoshop, manual parallax effect used on the field to give depth. Campy feel to match the set.

Animation done in After Effects with help from Trapcode Particular.